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TV adaptation of Michael Thalheimer's production at the Deutsches Theater Berlin.

Emilia Galotti is an adaptation of the German drama of the same name written by Gotthold Eprahim Lessing.

The lecherous, tyrannical prince of Guastalla falls in love with Emilia, the daughter of colonel Odoardo Galotti. He dispatches his chamberlain Marinelli to convey her to him and obstruct her upcoming marriage to Count Appiani. After his attempt to send Appiani away on a diplomatic mission fails, Marinelli approaches the situation with less subtlety by ambushing the wedding coach with bandits. Appiani is shot in the fray, and Emilia and her mother are brought to the prince's pleasure palace. The mother correctly guesses the intentions of the prince and their corresponding connotations for her daughter. The father, having just rushed up to the palace, learns of the same from Countess Orsina, the prince's jealous mistress. He is beside himself with anger and wants to immediately bring Emilia home, the one outcome that the prince will simply not allow to occur. When Emilia is allowed to speak with her father in private, she asks for him to kill her. This request stems not from her fear that some man is forcing himself upon her, but from her shame that she might eventually succumb to the prince's seductive advances. Odoardo then stabs his daughter to death.

A tragedy by Gotthold Ephraim Lessing.

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"Emilia" is a parody of Jean-Pierre Jeunet's "Amelia". The title heroine was brought up in very specific conditions. Her parents could not transfer enough affection and knowledge to the growing child. Therefore, the girl created her own inner world in her mind, to live in complete isolation from the environment. One day, 19-year-old Emilia finds her life goal - she decides to do good around her. Unfortunately, bad luck means that people who meet on their way do not really need any help from her ...

Emilia took our wooden ‘O’ by storm in late 2018, celebrating women’s voices the world over through the story of a trailblazing, forgotten woman, Emilia Bassano. 400 years ago, Emilia wanted her voice to be heard. In 1611 she penned the words to her ‘Vertuous Reader’ as part of a volume of radical, feminist and subversive poetry. Yet the little we know now of Emilia is restricted to the possibility that she may have been the ‘Dark Lady’ of Shakespeare’s Sonnets – and the rest of her story has been erased by history. Morgan Lloyd Malcolm’s acclaimed play revealed the life of Emilia: writer, wife, lover, mother, muse.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。